![]() ![]() The entire song is accompanied by what seems like the traditional Rajasthani instrument Ravanhatta, which bestows an elegaic texture to the song, even though its pace defies that. Musically, both utterances are located in the same place (in most occurrences), but the difference is in their emphasis. Panditji subtly alters the semantics of the word ‘seeli seeli’ just with intonation, and to stunning effect. Tossed between memory and pining, the song moves brilliantly between two octaves. ‘Yaara seeli seeli’ is another masterpiece. The song journeys from silence to sublime. The song has a khayal-like feel, but he designs rhythm differently. He fascinatingly layers the musical elements in a way that heightens the meaning and then fades them away. You can hear one instrument dominating the entire score, for instance, the eloquent veena or the intense sarangi. The song is highly personal in nature Panditji makes sure he foregrounds that aspect throughout the composition even when the composition gradually progresses from minimal orchestra to lush passages. You have a brief alap, the main melody begins, the pakhawaj comes in, and here he adds an intense passage on the veena. It has to surpass the landscape, a desert in this case it is also perhaps the reason. For one, the song is a plea and the protagonist implores to be heard, therefore the upper notes. ![]() Panditji composes the entire song in the higher octave, except for the landing phrase which is in the middle octave. ‘Suniyo ji araj mhari’ is an appeal the woman makes to her beloved to listen to her desire. Take, for instance, his songs from the film His music can be perceived as a combination of these multiple forces - theatre, classical music, and literature. “I don’t remember playing with children of my age, I was either reading or engaged in music,” Panditji says in an interview. He received classical training from Ustad Amir Khan for over two decades, came from a family that was closely involved in company theatre, and was personally drawn to serious literature. Even though it is a minor part of his huge body of work, it remains significant. In his long and fascinating association with music, Panditji has scored music for several films, both Marathi and Hindi. ![]() B-26, MUM- 271005 - OCTOMumbai: Indian nightingale Lata Mangeshkar (L) with her brother Pandit Hridaynath Mangeshkar at Shanmukhanand Hall in Mumbai on Monday night. ![]()
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